


The Sagrada Familia, Barcelona’s iconic landmark, was celebrated by Pope Leo on the 100th anniversary of the architect Antoni Gaudi’s death. A manically ambitious project it is the tallest church in the world and still not complete.
Gaudi’s weird and wonderful designs adorn many houses in the Catalan capital but none stranger than the cathedral. “Like a babbling visionary speaking in tongues, Gaudí jumbled the grammar of architecture into the strange glossolalia of his dreams. He translated stone and ceramic, wrought iron, stained glass and wood into fairytale confections that have an almost hallucinatory force.”
His inspiration came from a sickly childhood where he sat and watched nature – beetles, shell spirals, the shapes of trees and animal skeletons, undulating waves, animal skeletons were his models. He was also a committed Catalan nationalist and believed architecture could mirror nature and also social ideologies. His refusal to follow architectural conventions was in part an act of defiance.
He was born 25 June 1852 9.30 am Reus, Spain into a family of coppersmiths which also informed his designs. In his late 20s, having been rejected over a marriage proposal, he took to celibacy and moved way from society into an obsession with Roman Catholicism. His spiritual fervour sent him on extended fasts which were damaging to his health; and when he was knocked down in a street accident aged 74, he was so shabbily dressed he was thought to be a vagrant.
The apse crypt of the cathedral was begun on 19 March 1882 although Gaudi did not come into the project until a year later at which point he changed the design radically. When he died in 1926, the basilica was between 15 and 25 percent complete and work continued with a hiatus during the Spanish Civil War.
He was a Sun Cancer conjunct a Cancer North Node (tying him into the spirit of the times) trine Jupiter in Scorpio trine Neptune in Pisces in his 7th house of partnerships. Cancer is a creative sign with a good sense of design and taste. Neptune in his 7th hints at a lack of commitment to marriage and close relationships. A Water Grand Trine added to his creativity but would tend to lock him in a bubble of his inner imagination which at times cut him off from reality. His Neptune was also on the focal point of a yod inconjunct a hidden 12th house Venus sextile a Libra Moon, exacerbating his tendency to live in an ivory tower of his fantasies and dreams.
His Grand Trine was turned into a talented Kite by Neptune opposition Mars in Virgo on his Ascendant which would give him a yearning for publicity and attention and added to a confident Jupiter would help to keep him moving forward with enough support to fund his projects.
His 9th house which rules religious beliefs had a rebellious and intense Pluto Uranus conjunction in Taurus with Uranus conjunct Saturn. So he would hold inflexible if wayward beliefs.
The Sagrada Familia was started 19 March 1882 with a New Moon in Pisces (conjunct the unfortunate Scheat) but also sextile an ambitious and enduring, and uber-expansive Jupiter Pluto in Taurus (and Algol). Saturn and Neptune were also in Taurus. A combination of Neptune’s ethereal dreams and down-to-earth, enduring Taurean practicality made it happen, albeit slowly. When Gaudi took up the reins in November 1883, tr Pluto was just into Gemini on his Midheaven with Saturn conjunct – starting a prodigiously long and difficult project which lasted for the remaining four decades plus of his life.







































