




Artist Stanley Spencer’s marital life has been described as “the most bizarre domestic soap opera in the history of British art”. He was renowned for his First World War memorial paintings and his life in rural Cookham murals. His paintings originally provoked shock and controversy and foreshadow some of the much later works of Lucian Freud.
He left his first wife, Hilda, having been vamped by Patricia Preece, who on marrying him, left immediately after the wedding with her lesbian lover and conned him out of his house, the assumption being she only married him to restore her bankrupt family’s fortunes. He returned intermittently to his first wife whom he faithfully visited during her last illness. Just to add to the confusion Patricia Preece’s paintings, well remarked at the time, appear to have been painted by her lover Dorothy Hepworth.
Spencer was born 30 June 1891, no birth time, London and was a Sun Mars in Cancer with the inspired, imaginative and often tormented Neptune Pluto in Gemini amplified in his chart conjunct Venus and North Node and squaring a Saturn opposition Jupiter. No surprises his life read like overblown fiction – fantastical, prone to cons and falsehoods, mystical and clearly talented.
His first wife Hilda, 20 November 1889, was a late Sun Scorpio with her Venus in Scorpio trine his Sun and her Mercury in Scorpio in an argumentative trine to his Mars. Their relationship chart has a passionate Venus Mars conjunction; and a power-couple, overly hopeful Jupiter trine Neptune Pluto but it was also riddled with doubt and suspicion from Neptune Pluto square Saturn.
Patricia Preece, 22 January 1894, was a Sun Aquarius with an ultra-determined and duplicitous Mars in Sagittarius opposition Neptune Pluto. Her Venus did trine his Sun and her Mars squaring his Venus would provide a spark of attraction; though clashing as it did with his Saturn it was always destined to end in tears. Their relationship chart has an affectionate Sun, Venus, Jupiter conjunction which would be reassuringly affectionate but that sat side by side with an unkind/cruel/unpleasant Mars Saturn conjunction trine Pluto. Neptune
Dorothy Hepworth, 30 September 1894, was a Sun Libra and Moon which fitted with Preece’s Aquarius Sun and Leo Moon. But that apart it would be an uneasy match – though their relationship chart did have an affectionate Sun, Mercury, Venus opposition Pluto Neptune Jupiter conjunction – love and control and duplicity all sitting together; plus a one sided Saturn trine Mars.
Oddly enough Spencer’s relationship chart with Hepworth was the most aggravated of the quartet with a composite Pluto Mars Neptune.
His first wedding to Hilda on 23 February 1925 has a composite New Moon (probably) so she would make him feel whole with a doubting Venus opposition Neptune square Saturn; a push-and-pull Pluto Jupiter and a Grand Trine onto a Kite with Jupiter as the leading planet. More pluses than minuses though according to biographers her self-confidence waned during her marriage to Spencer and she painted more after the marriage split. He was a man of “idiosyncratic vision, unassailable conviction, egocentricity, and brilliance.” They could both be stubborn and argumentative.
His wedding to Preece, 29 May 1937 had a power-couple (struggle for the upper hand) Jupiter opposition Pluto square Venus which does hint at manipulation (Venus Pluto) with a hyper-determined Mars trine Pluto inconjunct Venus.
The art world has always been awash with complicated liaisons and not on the whole renowned for committed marriages but this does seem to be weirder than most.
A new book THE SECRET ART OF DOROTHY HEPWORTH AKA PATRICIA PREECE by Denys J. Wilcox is out later this month.